For years, HMI and tungsten hot lights have been the backbone of film lighting, delivering the power needed for large-scale productions. But with high energy consumption, increased labor, and limited color control, traditional hot lights come with trade-offs. While they still have their place, today’s fast-paced, sustainability-driven filmmaking calls for more efficient solutions.
That’s why industry insiders Tyler Rosseou and Nikola Kitanovski turned to FilmGear’s latest LEDs for their recent projects. Tyler used the Zenith 2000 to light Land Rover’s Defender campaign featuring Black Pumas, while Nikola relied on the MEGA 1200C for his feature film, Tramps Like Us.
Q+A: How Were FilmGear®'s LEDs Used?
Gaffer
Uses the Zenith to light up Land Rover’s campaign for Land Rover’s Defender.
Tyler: “It was a commercial for Defender. They were doing a two-day campaign following Black Puma, and integrating the everyday lifestyle of someone who’d use the car. We used the Zenith as a key light, wrapping the fill with a bounce and adding barefaced Zeniths for extra exposure. The lenses gave us the punch to bring the light closer without affecting makeup, while a book light softened it for a textured look. Everyone was happy with the results.”
Harnessed the MEGA 1200C for his new project, Tramps Like Us.
Nikola: “We used it for multiple sceneraios from the fight scenes to the poker night - The MEGA had enough punch to be our key light in various scenes. Its high output make it a lifesaver, especially when managing stunts and extras—letting us focus on the story.”
Thoughts On The Build Quality?
Tyler: “Shooting in the Malibu hills, we relied on the Zenith’s IP65 weather sealing. It’s tough enough for high-speed shoots, durable, and easy to handle—just bend your knees and lift with ease!”
Nikola: “The MEGA is built like a tank—sturdy and durable. Unlike most LEDs, it matches the output and robustness of traditional hot lights with no visual difference.”
What Sets FilmGear® LEDs Apart?
Tyler: “The menu was intuitive, letting me control output directly without extra connections. The pixel control and color customization were also impressive.”
Nikola: “It’s hard to find an LED this versatile at this price. With FilmGear’s local support, we know help is just a call away. The quality speaks for itself on screen—that’s the beauty of our work.”
At FilmGear®, we’re redefining LED technology with our MEGA and Zenith, emphasizing versatility that sets us apart. Engineered by filmmakers for filmmakers, our lights adapt to various production scenarios and continually evolve to your needs on set. The MEGA 1200C transforms easily into a space light, dual, quadruple, or a wall of light while the Zenith line offers exceptional flexibility and unparalleled output. Discover how our LEDs can elevate your productions! To learn more, reach out at info@filmgearusa.com or call (323) 780-8880.
Written by: Jibran Kabani